Our pets

In honour of Take Your Dog To Work Day, we are celebrating all of our pets. Get to know the dogs and cats behind Black Inc!

Alfie
Belongs to: General Manager
Likes: Snoozing, swimming in Merri Creek
Dislikes: Being referred to as "the dog", forced cuddle time

Interview with Benjamin Law

To celebrate the release of the new format of The Family Law, we talk to author Benjamin Law.

Can you tell us a little bit about the experience of having your first book published?

Getting a book out into the world is a very wonderful—albeit consistently odd—experience. During promotion, you find yourself in places you never imagined, like saying hello to Mel and Kochie in Channel 7’s studios, or drinking wine with Jenny Kee and Waleed Aly in the headquarters of SBS. Complete strangers come up to you, saying they’ve read your book and tell me how much they love my mother.

Interview with author Sonia Faleiro

We interview writer and journalist Sonia Faleiro about her fascinating new book Beautiful Thing: Portrait of a Bombay Bar Dancer.

Can you tell us a little about your book Beautiful Thing?

Beautiful Thing is a work of non-fiction. It’s the story of a young girl called Leela who runs away from home after being prostituted by her father and reaches Bombay determined to build a new life for herself. She’s only thirteen when she gets a job as a bar dancer but because of her beauty and vivacity very quickly becomes popular, earning plenty of money and living the lifestyle of her dreams. When I met Leela in 2005, she was nineteen and hopeful that her affair with her boss, a man who was already married and had children, would turn into something more permanent. But very soon after, the government cracked down on dance bars, banning them on the grounds that they encouraged immorality, corrupted the youth and encouraged crime, essentially forcing Leela and about 75,000 young women like her out of work and onto the streets.

Kate Jennings on writing Snake

Kate Jennings

I wrote my novel Snake through two long winters at the beginning of the nineties out on Long Island. Low grey skies, the angry Atlantic. No distractions from re-imagining life on an Australian farm in the fifties.

When I began, I remember thinking “The world doesn’t need another dysfunctional family or coming-of age novel.” But most of those books were from the perspective of one person: the self-justifying writer-as-child. It was important for me to be even-handed, to present this family from the point of view of all the protagonists. It was also important to me not to write a feminist tract – this was a time when feminists were presenting mothers as nurturing and women in general as somehow innately morally superior. Arrant nonsense, of course. Some mothers are good, some middling, some appalling.

Girls in publishing review The Girls In Publishing

With a cover like that, we knew we needed to read it. Our industrious editor hunted down a copy of the book and it has been passed from desk to desk ever since.

What can we say? It lives up to the hype.

Things we learnt from reading The Girls in Publishing:

Cigarettes and whisky are acceptable during editorial meetings. Cover designers prefer hashish.

Every girl in publishing should own at least one pair of "mint-green lounging pyjamas".

If only we had husbands who were so supportive of our careers: "There was nothing about her, he thought with a deep flush of pride, that indicated she'd been working."

If you're a boy - sorry, man - in publishing, don't be afraid to turn on the charm. Say your associate editor appears at your cubicle. Why not ask her: "What can I do for you, Diana? Lunch, dinner, a moonlight picnic by the East River when your husband is conveniently not around?"

Age-appropriate dating is important: "Forty-six was hardly an age even the most liberated woman's handbook would consider ideal to attract a virile thirty-five-year-old man, much less be his wife."

It's the little things that keep the romance alive: "He noticed that she was wearing a gold pin he'd given her when they first started screwing."

In 1974, "cutting and pasting" involved real scissors and actual glue.

Agents ain't what they used to be: "Foster was a slimy, cigar-smelling, toupee-wearing man who would demand payment in bed for anything he did ... He was the best agent in the business."

Contracts were a lot messier back then too: “… the usual ten percent commission - plus one evening a week screwing until he got bored.”

Beware the notorious PUBLISHING BLACKLIST. Disgrace yourself too badly, girlie, and you'll never wield a blue pencil in this town again.

If you sleep with your boss and he dumps you, wearing a “tight lace bodysuit” to work is a sure way to regain his professional respect: “She wasn’t wearing a bra either, he noticed.”

Sure her publishing-executive husband sleeps around - but really, some women are so cold they have it coming: "'Why do kids love the zoo so much?' she complained. 'Nothing to see but animals.' She shuddered slightly."

If your colleague turns up to a party with a pretty blonde as his date, don’t be afraid to speak your mind - “‘I hear that Scandinavians are pretty sophisticated sexually,’ Kate said, in what she hoped was a cutting voice.”

The girls in publishing have a LOT of sex. But only with colleagues, agents, authors, failed authors and, at a stretch, copyright lawyers. No one outside the industry, ladies: publishing is a closed shop.